At once an artistic critique of cinema and an exposure of the technology behind video imagery, Smith’s practice integrates sculptural form and moving image. He is interested in the capacity of film and video installation to distort our sense of time and space through the manipulation of filmic narratives. True to MOMENTUM’s mission to interrogate what we define by time-based art, Sam Smith’s layering of analog film, digital media, and physical sculpture self-referrentially and lyrically addresses the manipulations of time from both the point of view of artist, and viewer.