

GROUND 99
Satellite Event of the Malta Biennale 2026
Featuring:
Rachelle & Aaron Bezzina // Stefano Cagol // Luis Carrera-Maul //
Gabriel D. Doucet Donida // Margret Eicher // Madeleine Fenwick //
Duška Malešević // Bjørn Melhus // Almagul Menibayeva //
Tracey Moffatt // Nina E. Schönefeld
Head Curator & Founding Director
Gabriel D. Doucet Donida
(B. Arch. Carlton U., MFA NSCAD and MA New York University)
Co-Curator:
Rachel Rits-Volloch
(B. Arch. Carlton U., MFA NSCAD and MA New York University)
DATES:
12 – 14 March 2026: Grand Opening Days
19 March – 16 May 2026: Permanent Exhibition
OPENING HOURS:
Every Thursday, Friday & Saturday, at 4-8pm
ADDRESS:
99 F. Azzopardi, Senglea (L-Isla), Malta

PERMANENT INSTALLATIONS | 12 March – 16 May 2026
Rachelle & Aaron Bezzina – BodyObject: Equilibrium
Luis Carrera-Maul – VORTEX 53 & VORTEX 55
Gabriel D. Doucet Donida – The Confessional | Infinite Habitat
Margret Eicher – Shallow, Express Yourself & Flawless
Madeleine Fenwick – flump
Duška Malešević – We Can’t Talk And Talk And Talk Forever & How Many Times You Had To Sacrifice Your Body
VIDEO PROGRAMME | Rotating every three weeks | 12 March – 16 May 2026
Grand Opening VIDEO PROGRAM | 12 – 14 March – 2026
Stefano Cagol, Bjørn Melhus, Almagul Menibayeva, Tracey Moffatt, Nina E. Schönefeld
VIDEO PROGRAM 01 | 26 March – 4 April 2026
Nina E. Schönefeld | Germany
VIDEO PROGRAM 02 | 9 – 25 April 2026
Stefano Cagol | Italy
Tracey Moffatt | Australia
Almagul Menibayeva | Kazakhstan / Germany
VIDEO PROGRAM 03 | 30 April – 16 May 2026
Bjørn Melhus | Germany / Italy
GROUND 99 is a Satellite Event of the Malta Biennale 2026, conceived as a dynamic platform for multidisciplinary installation, video, and performance art that responds directly to the Biennale’s curatorial call to clean, clear, cut. Operating within this conceptual framework, Ground 99 brings together international and Malta-based artists to confront the environmental, ethical, and aesthetic pollutions embedded in contemporary life.
Situated within the dense historical fabric of Senglea (L-Isla), Ground 99 positions contemporary artistic practice in dialogue with a site shaped by centuries of movement, defense, trade, and survival. This context is not merely a backdrop but an active participant – its narrow streets, layered histories, and proximity to the sea echo the exhibition’s concerns with fragility, exposure, and resilience. In alignment with the Biennale’s ambition to interrogate systems of accumulation and excess, Ground 99 invites both artists and audiences to slow down, to look more carefully, and to consider how we might inhabit the world otherwise.
Bringing together 12 international and Malta-based artists, the exhibition unfolds across three interlinked zones, each proposing a different mode of encounter while remaining linked conceptually. Across installation, video, and live performance, images, gestures, and spatial interventions become instruments for interrogating how meaning is produced, distorted, or erased in an era defined by acceleration, over-visibility, and excess.
The permanent exhibition foregrounds material processes that carry memory, labor, and time. Margret Eicher presents large-scale Jacquard tapestries that fuse pop-cultural and historic imagery, collapsing distinctions between high and low, past and present, to question cultural memory and mediated realities. Luis Carrera-Maul contributes sculptural paintings in porcelain and on canvas that register climate change as both material transformation and slow violence – surfaces fracture, warp, and bear the marks of environmental instability. Newly commissioned works by Malta-based artists Duška Malešević, Madeleine Fenwick, and the duo Rachelle & Aaron Bezzina anchor the exhibition within local perspectives, addressing questions of place, identity, and the pressures of development and gentrification from within lived experience.
At the core of Ground 99 stands Doucet Donida’s installation “The Confessional”, housing “Dramaturgy of Desire,” an endurance performance by Gabriel D. Doucet Donida, activated 72 hours per week. The work examines intimacy, vulnerability, and the economies of attention that govern contemporary subjectivity. Through sustained presence and exchange, the performance exposes the tension between visibility and withdrawal, confession and resistance – mirroring the Biennale’s ethical concern with what is revealed, erased, or exploited.
Complementing these spatial and performative works, the rotating Video Program introduces time-based narratives that shift every three weeks. Featuring works by Nina E. Schönefeld, Bjørn Melhus, Stefano Cagol, Tracey Moffatt, and Almagul Menlibayeva, the program addresses global environmental and geopolitical urgencies through strategies ranging from the cinematography of resistance, to poetic humor, to the sublime. These works refuse didacticism, instead opening spaces for reflection, ambiguity, and empathy.
Together, the practices assembled in Ground 99 examine the social and environmental consequences of globalisation—its effects on gender, identity, ecology, labor, and urban transformation. They acknowledge the unsettling beauty and daily contradictions of contemporary existence while scrutinizing the traumas inflicted on our fragile planet. In doing so, Ground 99 aligns with the Malta Biennale’s broader inquiry into how we might cut away inherited excesses and imagine other modes of living.
Ultimately, Ground 99 is an invitation: to slow down amid saturation, to look closely rather than consume rapidly, and to consider how artistic practice can function as a site of ethical attention. Within the historic contours of Senglea, the exhibition creates a space where artists and audiences can cut through the environmental, ethical, and aesthetic noise of our troubled times, in order to imagine new ways forward.
– Rachel Rits-Volloch & Gabriel D. Doucet Donida
[Click on the name of each artist to see the bio and the work description below.]
Rachelle & Aaron Bezzina
Stefano Cagol
Luis Carrera-Maul
Gabriel D. Doucet Donida
Margret Eicher
Duška Malešević

BodyObject: Equilibrium
2026, Site-specific installation: Bronze sculpture with inscribed text: HARD FAST DEAD END

VORTEX 53 (Marmor) & VORTEX 55 (Grünblauoxid)
2024, Porcelain paste and pigments on linen_60 x 80 cm

THE CONFESSIONAL | INFINITE HABITAT
2025-26, Durational performance & mixed-media installation, 240(L) x 120(W) x 240(H) cm

Shallow, Express Yourself & Flawless
2024, Digital Montage/Jacquard Tapestry, 272 x 153 cm
2024, Digital Montage/Jacquard Tapestry, 270 x 116 cm
2024, Digital Montage/Jacquard Tapestry, 270 x 106 cm

flump
2026, Site-specific installation: polystyrene and fibreglass, each 35x35x50cm

Postcards from Paradise:
We Can’t Talk And Talk And Talk Forever & How Many Times You Had To Sacrifice Your Body
2026, Installation: Double-sided rotating postcard stand, Mirrors, Stickers, 92 x 34 x 6 cm
2026, Installation: Double-sided postcard stand, Mirrors, Stickers, 92 x 34 x 6 cm

Freedom & Independence
2014, 4K video, 16:9, color, sound, 15’

Homesick
2022, 4K video, 16:9, color, sound, 14’

Sugar
2019, 4K video, 16:9, color, sound, 20’30”

Sudden Destruction
2012, HD video, 16:9, color, sound, 4’20”

Transoxiana Dreams
2011, HD video, 16:9, b/w & color, sound, 23’
Courtesy of the MOMENTUM Collection

Milk for Lambs
2010, HD video, 16:9, color, sound, 11’

Doomed
2007, Video, found footage collage, color, sound, 9’21”
Courtesy of the MOMENTUM Collection

Other
2009, Video, found footage collage, color, sound, 6’30”
Courtesy of the MOMENTUM Collection

TRILOGY OF TOMORROW
D A R K W A T E R S, 2018, HD video, b/w & color, sound, 15’55”
S N O W F O X, 2018, HD video, b/w & color, sound, 10’03”
L.E.O.P.A.R.T., 2019, HD video, b/w & color, sound, 17’13”

W H Y D O W E K I L L
2022, HD Video, b/w & color, sound, single-channel version of 3-channel video installation, 6’39”

B.T.R. (BORN TO RUN)
2020, HD video, 16:9, color, sound, 20’03”
Courtesy of the MOMENTUM Collection

RIDE OR DIE
2024, HD video, 16:9, b/w&color, sound, 30’13”



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